festive wishes for my friends and readers

                            December 23, 2014


Your Letter



comes at Christmas
and joins the ones
already in the garage
in a shoe box,
fading like
the dreams of children.

Your words
tell of a bountiful corn crop
and summer dances,
silent birds,
snow-covered fields.

I see your handwriting,
hear you laugh
splashing in the stream,
running on yellow leaves
through the naked woods.

Now I know why you cried
in your sleep.


Félix Calvino









Alfonso I Dhanya Gopal I Review

November 26, 2014


3153351    


A semi-autobiographical novel by Felix Calvino, is the story of an immigrant who is trying to find his way in a new country. Alfonso is a Spanish immigrant who finds himself attached to his home country’s culture and art. He moves to Australia in search of a job. He manages to grow in this job and buys himself a livable but by no measure a luxury house. The routine gets to his nerves. Alfonso dreams of settling down with a girl and having a family. However, he lets a rare encounter with a beautiful and smart girl go by in fear of marriage and the complications it comes with. He regrets this decision too late in his life. Alfonso goes through bouts of depression, loneliness and monotonous living. As an immigrant who is often surrounded by men and women of his country, he often finds it hard to integrate in the new country. However, he consciously tries to assimilate. Alfonso clearly sees that no matter what he tries, he will still feel distant from the new country.

“It was clear to him that the pain of nostalgia paralyses him, and if left unguarded, might ruin this new life of his that provided all he needed and more than he had ever expected.“

I identified with the protagonist in more ways than one. Although one is in a new country, the heart and soul goes back to home country every single minute, like Felix Calvino puts it, “Ahead, the empty hours between mealtimes and bedtime. Ahead, old dreams, old omens and regrets dying within the coils of his memory.” The memories of home are inextricable from one’s life. It’s almost as valiant an effort as separating a fish from water.
Posted in Review | 1 Comment »



(WiP) Conference, “The Life of Things”

November 4, 2014




EMSAH Work-in-Progress Conference Prize Winners 2014


Congratulations to Prateek, who was awarded the 2014 Dr John McCulloch Memorial Prize as part of the annual Work-in-Progress (WiP) Conference, “The Life of Things”, for his paper, “Hubble-bubble of transcultural encounters: a study of the social life of hookah.”

The judging panel also highly commended Sushma Griffin, Chari Larsson, Elliot Logan, and Nick Lord for their papers.
The annual prize is named in honour of Dr John McCulloch OAM (1938-2010), who died of pancreatic cancer just after submitting his doctoral thesis on Queensland suffragist Elizabeth Brentnall. The prize is made possible by the generosity of Dr McCulloch’s partner, Mr Gary Portley.
This year, the Conference featured the inaugural Creative Writing Showcase, a celebration of the creative outputs of writing postgraduates from EMSAH and other universities. The event, held at the UQ Art Museum, included eight readings across a wide range of forms from short fiction and creative non-fiction through to prose poetry and a play script.

The Showcase Prize was jointly awarded to Félix Calviño for “The Valley of the Butterflies” and David Thornby for “The Pitch Drop”. Both Félix and David are EMSAH postgraduates in Creative Writing. The Prize was supported by the generous donation of research funding by Professor Gillian Whitlock.

Conference organisers Jami-Leigh Acworth, Gabriella Blasi, Belinda Burns, Wilson Koh, and Emily Yu Zong, along with guidance from Associate Professor Jane Stadler and Dr Nathan Garvey, presented a diverse program of more than 70 papers, including a keynote address by Professor Richard Read from the University of Western Australia and a Plenary Panel including Professor Gay Hawkins and Professor Gillian Whitlock.
Many thanks to all staff and students who attended, and all who contributed to making this event such a success, particularly: Mr Gary Portley, Professor Gillian Whitlock, Professor Gay Hawkins, Professor Peter Holbrook, and Professor Richard Read.









Alfonso - Review I Repetto


October 6, 2014
















Leonardo da Vinci said, ‘simplicity is the ultimate sophistication’. Félix Calvino’s poignant first novella Alfonso, published in December, proves that beauty and sophistication are born of simplicity; beneath the surface of its apparently simple, gentle narrative lies a depth of honesty, tenderness and wisdom that resonates with the heart and ensures the tale's echoes will be felt long after turning the last page.

Set in the 1960s, Alfonso is the story of a young man who flees his impoverished Spanish village to begin a new chapter in Sydney, carrying in his suitcase a fervent desire for love, and a dream of a stable life. Over many years, Alfonso labours to master English, purchase and renovate a house, and foster close bonds of love and friendship. But it is the powerful undercurrent of Alfonso’s inner transformation that propels the narrative, as he struggles to navigate the murky waters of fear, superstition and cultural conflict that threaten to turn his dreams into an endless mirage.

Calvino's style is light and nuanced; he paints his story in watercolours, creating images no less vivid for the gentleness of his brushstrokes. Calvino gracefully illustrates his thoughtful characters so that their souls shine from the spaces between his carefully placed words. His elegant prose evokes the tones and hues of a forgotten era, when the Opera House was not yet complete, and the rhythms of life were simpler.

Alfonso is a soulful, beautifully written work that charms and captivates with the warmth and authenticity of its voice. Imbued with the subtle shades and seasons of a young man’s cultural and personal journey, this simple story captures nothing less than the beauty of life. 

Review by Natalie Repetto

Alfonso I Top Five

September 29, 2014


Top Five 


1 Eat My Heart Out
Zoe Pilger
2 Alfonso
Felix Calvino
3 First Place
David Malouf
4 Empress Dowager Cixi
Jung Chang
5 Blue is the Warmest Color
Julie Maroh


[PDF]View/Open - Territory Stories

http://www.territorystories.nt.gov.au/bitstream/handle/10070/250514/NTN23MAR14PG042-MAI-COLOUR-PRIMARY.PDF?sequence=43&isAllowed=y


Alfonso - Review I Holland

May, 2014




Félix Calvino’s short novel tells the story of a young man who moves to Australia to escape Franco’s Spain. The strange thing about the book (given that its author has spent so long in Australia) is how unlike contemporary Australian literature it is. David Malouf has championed Calvino, but then there has always been something essentially Mediterranean about the author of Ransom. Flaubert was uncompromising in his belief that the author’s opinions and even ideas should remain absent from a work of literary art. If the French master thought the novel of ideas was a degraded thing, what would he have thought of the Australian ‘novel of issues’, the books (we all know them) that might have been written off the back of an episode of Q&A. Alfonso bolsters no Australian cultural myths, nor does it succumb to the equally tiresome genre that is ‘myth debunking’.

Calvino never reveals himself to be so much a writer of foreign sensibilities as in his concern with Australia rather than Australianness. Alfonso is a work of art rather than of ideology. Its subjects are homelessness and belonging, love and estrangement. The lines with which Calvino sketches his habitually, even wilfully lonely immigrant man and his Australian romantic interest, Nancy, are as broad and hard as those in Goya’s etchings, yet there is a quiet quality about the book, and in the spaces between the words you feel the presence of deep running waters. Says the principal character, ‘Beyond the plane was the universe itself, nicely lit by uncountable stars for which, like his feelings, he had no names.’

Calvino’s book paints rather than explains. It has nothing to instruct you in. Like all true art, it invites you into an experience, one well worthwhile.

https://www.australianbookreview.com.au/abr-online/current-issue/116-may-2014-no-361/1963-afonso 


El Correo Gallego - Interview I Giraldez

May 24, 2014

EL SABADO LIBRO

UNA ENTREVISTA DE JOSÉ MIGUEL GIRÁLDEZ  | 24.05.2014 


Félix Calviño lleva más de treinta años en Australia. Aunque en su vida se ha dedicado a múltiples actividades, en la última década ha logrado su gran sueño: convertirse en escritor. Publicó en 2007 A Hatful of Cherries (Un sombrero lleno de cerezas), una espléndida colección de cuentos en torno a su vida en Galicia antes de la emigración. Este año ha visto la luz en Arcadia una novela, Alfonso, que narra la vida de un emigrante que llega a las grandes ciudades industriales de Australia después de salir de su aldea, en Galicia, a los 22 años, en medio de la pobreza del franquismo... Escuche la entrevista con Félix Calviño en 'El sábado libro'.

Bumf - Short Story


May 7, 2014


Kneading the dough

This week Bumf brings you a beautiful piece from Felix Calvino about  a mother and son making bread together …





Australian Literature Reading Group


May 2, 2014




Australian Literature Reading Group

The Australian Literature Reading Group will meet on Friday 2 May and room allocation will depend on numbers. During the year we will read an eclectic array of Australian literature, and brief introductions to the authors and their texts may be given by interested persons involved. Members of the reading group will decide the upcoming text on a month-to-month basis. The book for this month is Felix Calvino's Alfonso. 


 To be placed on the email list, or if you have any enquiries, please email Kirril Shields  (shieldskirril@hotmail.com

 School of English, Media Studies and Art History, University of Queensland.



QAGOMA - Meet the Author

May 31, 2014

QAGOMA MEMBERS QUEENSLAND WEEK PROGRAM
MEET THE AUTHOR: FÉLIX CALVINO

Friday 6 June | 3.30pm
Members Lounge, QAG

Join us for a special event during Queensland Week with local author Félix Calvino as he offers insights into his recently published novella, Alfonso (2014). Members may recall Calvino's beautifully written collection of show stories,A Hatful of herries (2007), featured on the members Book Club list during 'Portrait of Spain: Masterpieces from the Prado' in late 2012. 
Local author and academic Venero Armanno describes Calvino's new work as 'a gentle yet searching exploration of a Spanish migrant's feelings and experiences in the country Australia used to be more than 40 years ago. Félix Calvino infuses the stuff of everyday life with tenderness and magic.'

Bookings required / $15 Members / $20 Members' guests / Includes coffee tea and cake / Book online or call (07) 3840 7278 to RSVP by 5 June

La Voz de Galicia - Interview I Rodri Garcia


May 19, 2014

«A vida do emigrante, ata certo punto, é fantasía e realidade»

A Galician Writer in Australian Literature


May 15, 2014


University of A Coruña




Alfonso – Review I Lindquist

May 5, 2014

Having had the pleasure of discovering Félix Calvino’s collection of short stories published as A Hatful of Cherries in 2007, I was drawn to this novella, which is his latest publication.

It is 1962, Alfonso is 22 and alone, having fled a life of rural poverty in Franco’s Spain. He has sacrificed all he knows for the chance of a better life in Sydney where he understands little of the language, customs or rules of social engagement.  He struggles with loneliness but is determined to fit in, find love and build a future. He’s a serious young man but he has a self-deprecating sense of humour and quiet sense of gratitude on his side.

Calvino, himself a Spanish migrant, knows this journey firsthand and reveals it through vignettes that are deceptively simple, often funny, sometimes disturbing, but which always have heart. We walk the streets of Sydney with Alfonso. Renovating his dilapidated terrace house in Surry Hills becomes a metaphor for replacing the old with the new, and we share Alfonso’s hope that with the nest lovingly prepared, the woman of his dreams will make herself known.

Timeless and keenly observed, the story weaves back and forth between the two versions of Alfonso that co-exist and which he knows always will: one that connects him inextricably to the past and the other that beckons him towards an unknown yet hopeful future.

A very worthy read.

Jill Lindquist
Coorparoo, QLD


Alfonso – Review I SKLAVOS

April 11, 2014



 “I passed the wine bottle, and Raul said he was looking forward to the skinning and butchering of our bounty. In all the excitement, we didn't notice that the sky had gone dark until the wind and rain suddenly started hammering the car. Before long, we were merely crawling along, very much like we are now. The car started shuddering, and Salvador said the engine was no good in the wet. A while later, we noticed that people were staring at us, some even blowing their horns. Raul told Salvador not to take any notice of the people, just drive. It was only when the tape finished playing and the rain eased that we heard the sheep bleating in the boot.” (Alfonso, pp.58 -59).

Félix Calvino takes the everyday and blends it with humour, nostalgia and meaning. The protagonist Alfonso is a strong, engaging character who will stay with you long after you finish this fluid novella. By following his journey from Spain to Australia, and subsequent life there, you will catch glimpses of the two countries and the interesting space that Alfonso occupies. By the time he holds his house-warming party, you will ache to be amongst the aromas and laughter emanating from the place. But despite the distraction, Alfonso’s loneliness will seep into your pores and make you wonder what it means to be at home and to have a home.

Jacqueline SKLAVOS

France

Alfonso - Goodreads I Ashley

March 17, 2014


Melissa Ashley
I have just finished this beautiful book. There is so much wisdom packed into those 117 pages. The closing image of the snake shedding its skin and Alfonso in the house he renovated brought tears to my eyes. Calvino uses clothing and the home as great images for Alfonso transforming into a man. I loved how the author merged the imagery on the final page. Were they ghosts, memories, of Alfonso as a boy with his mother, or was it the light, when you just open your eyes? It all works and flows together. Calvino’s writing is exquisite, the sadness, the complexity of the emotion that he has invested in Alfonso, told through his daily rituals, his habits and behaviour, feels very real. I can relate to his struggles to go out into the world, and then the rewards, or the love, the living, he receives when he does muster up the courage to do so.

I really liked Nancy. She is portrayed in a way that grows more and more complex, with different layers of her personality unfolding. I think her patience with Alfonso the most important aspect of her, in a way. That is what he needs, at that moment. He is unable to help himself, he is paralysed, and in fact, acts in ways to push her away. He is so exquisitely conflicted and tortured by his inexperience, expectations, and needs. Nancy does not seem to know Alfonso well, but it seems that she accepts him and, not necessarily understands him, maybe she does, I cannot tell, but she is patient with him. She allows him to be himself. I am pleased the author allowed the reader hope in the end. I find Calvino’s writing very comforting, and that is the writing that I love most of all. Writing that is true, that tells me something about living, about being alive, wrapping sadness and joy up together. That is why I read literature, to discover something that is true in a story, and to be comforted.

Alfonso - Goodreads I Katherine

March 6, 2014

Katherine
Mar 04, 2014Katherine rated it 5 of 5 stars
A beautiful, gentle book - filled with longing and exquisitely phrased.
The pace is slow and the story subtle, both good things in this case.
Calvino captures the loneliness and dislocation of the migrant's experience perfectly.

A Hatful of Cherries - Review I Bazzett

March 5, 2014

I've only even been aware of Felix Calvino for a month or two, and his 2007 story collection, A HATFUL OF CHERRIES, is the second of his books I've read. (Last week I read his 2013 novella, ALFONSO.) Both books are just so damn good that Calvino is now on my short list of favorite authors.

There are sixteen stories here, most of them very short, characterized by a delicacy and economy of phrasing not often found in writers today. A bit of Hemingway, a touch of Chekhov, and the rest is ... well, Calvino, I suspect, and, taken all together, the effect is simply perfect. His settings range from post-Civil War Spain in the 1930s to modern-day Australia and its Spanish migrant population there. The subjects too are simple and finely wrought. A small boy wishing for a knife of his own ("The pocket knife"). A groom en route to his wedding who goes mysteriously missing ("Detour"). A young couple hopes in vain for a better life, a dream dashed by senseless violence ("Basilio") A courtship by mail based on lies and half-truths which ends badly ("The bride") - or does it? Unattached men searching tentatively for love and new beginnings ("A new place"). A slyly dry sense of humor pervades "The laundry incident" and "Restless hands."

Every one of these stories is honed and polished to perfection, but if I had to pick a favorite - a hard choice - it would probably be the title story, which uses the innocence and budding sexual curiosity of two village boys to tell the story of a hired girl who gets "in trouble," but lets the reader ponder "whodunit." Or maybe the last story, "Unfinished thoughts," about two old women, "once darlings of their village, now wrinkled skin bags holding together bundles of bones and two old brains bent on pain and nostalgic reflection." Lucia has loved Elvira "always," and now Elvira is dying.

What I find most astounding about his work is not that it's so good and so mature; but that English is his THIRD language (after his native Galician and Spanish). Felix Calvino may have come late to this writing thing, but he has obviously been working hard at it, and in the writing of just two slim volumes, it appears he has already mastered it. These are great stories. I will be impatiently awaiting his next book. Bravo, Mr. Calvino!
   TimBazzett | Mar 2, 2014 | 


Alfonso - Review / Bazzett

February 27, 2014


Felix Calvino, born in Spain, emigrated to Australia in the sixties where, according to his bio note, he worked for many years in the travel, restaurant and wine industry. He did not attend college until the late 1990s when he studied Spanish and English at the University of Melbourne and began writing. In 2007 he published his first book, a story collection, A HATFUL OF CHERRIES. As of this moment (February 2014) I'm not sure if Felix Calvino's ALFONSO is even available for sale in the United States, but I hope it will be very soon. Because I can't remember enjoying a first novel (a novella really, at just 117 pages) this much in a very long time.

ALFONSO is a deceptively simple story of the life of an immigrant worker, transplanted from his native Galicia in Spain, to Sydney, Australia in the early sixties. Having grown up desperately poor in Franco's Spain, left fatherless by that country's Civil War, Alfonso (there are no last names in the story) is fortunate enough to be apprenticed to a wise old woodworker/carpenter from the age of twelve. Several years later, armed with a skilled trade, an inbred sense of right and wrong, and a strong work ethic, the young man bids farewell to his mother and brother, and sets off for Australia. There he finds regular work with a Sydney construction firm, lives very frugally, saves his money and dreams of a house and family. He takes night courses to learn English and mixes shyly at the local Spanish Club, but fails to find the love he is looking for, feeling torn between the old ways of Spain and those of his newly adopted country, of which a friend says, "Australia had no soul, only overtime, beer, and poker machines."

But Alfonso perseveres in pursuing his dream, buys a ruined row house which he repairs and restores over a three-year period, as he watches his friends and co-workers begin to marry and start families - the part of his dream which comes harder. He listens to other friends complain about Australian women and struggles to slough off the Spanish idea of marriage in which the man must always be dominant and the woman submissive, and engages in a cautious and almost fearful chase-and-retreat courtship of Nancy, a strong young Australian woman. The story culminates with an extremely satisfying and exquisitely crafted scene suggesting rebirth and new beginnings.

Alfonso is a wonderfully imagined and fully realized character that will resonate with readers for a long time. I loved this book! Highly recommended.  )
   TimBazzett | Feb 26, 2014 | 


Review of Australian Fiction.

February 27, 2014

Alfonso - Review / Harp


February 15, 2014


1362506

Grady Harp's review 




Cultural Heritage and Miscegenation

Félix Calvino knows the immigrant experience as well as anyone writing. His newest novel, ALFONSO, not only substantiates that his book of short stories, A HATFUL OF CHERRIES, suggested the arrival of an important new voice on the literary scene, it also proves that his brief ideas about finding one’s place in a new country can and have been successfully developed into a full fledged novel.
Calvino was born in Galicia and spent his childhood on a farm not unlike that of his main character the title. Under the reign of General Franco, Calvino fled to England to study and work and eventually migrated to Australia where he currently lives and writes his magical prose. And it is with that insight that Calvino writes about Alfonso, a Spaniard who has immigrated to Australia (Sydney) via stopovers in England and other entertainingly at times hilarious and at other times frightening places. Once in Australia he must learn a new language, work at any job available to immigrants whose language skills of the new home are nascent, make friends with both other people who are form Spain as immigrants and form other countries: Australia is as much a melting pot a s the USA!

But Alfonso is determined, moves form his meager ‘bed sitter’ to purchase a house that needs more than cosmetic repairs, discovers the behavior patterns of neighbors not used to immigrant status and cultures and customs, continues to seek the woman whom he can share his life, meets his dream, Nancy, who is Australian and takes trips to Europe, placing what Alfonso perceives is already an inherent distance between their lives. How Alfonso adjusts during the years in which this novel takes place (1962 to 1971) defines so much more about the immigrant experience and the effects of the Vietnam War and other world events on our transplanted Spanish Australian that many history books piled atop each other could.
Félix Calvino’s voice may be a gentle and quiet one, but it is all the more powerful for the caring way he imparts his story. He has created such poignant phrases as ‘Divorces and funerals are wives’ ultimate weddings’, but to give the reader a sample of his rather astonishingly vivid method of approaching his subject the following extract is a fine one to study:

‘The four walls he had washed and painted twice as a gesture of friendship would have captured, as a mirror would, his frustration at trying to sew on a button, or trying not to scorch a new shirt; his clumsy attempts at cooking dinner with half of the ingredients missing until he trained himself to write a shopping list before going shopping; his relentless learning and relearning of English words; his chores of washing, cleaning, daily bed-making, and weekly changing of the bed sheets. These same walls would have recorded his loneliness in daytime and sadness always at night. The narrow wardrobe, the Triumph stove, the couch, two wooden chairs, and the aluminum table with the green Formica top would have watched his character crossing from youth to man, although he could not identify the exact turning point. Perhaps the pieces came together like a jigsaw. He remembered feeling proud of doing his job well, of having the first thousand-dollar balance stamped in his ANZ Bank savings book. Above all, he had been deeply thankful for having escaped poverty, for being in control of his life, and for how good a life he had. And there was the vague beginning, and understanding, of the forming of his two selves – one made of past memories, the other of new dreams. Dreams had been good companions in the village and they remained so in Australia. Three of them had crystallized into purpose: the satisfactory command of the English language, the owning of a house, and the companionship of a woman. The first two were going well, he thought.’
This extraction from his novel, not unlike his short stories, shows the power in this writer’s mind and hands. He has arrived.

Grady Harp

Alfonso - Review I Powell

February 13, 2014

Alfonso is a story of a spiritual struggle within an immigrant’s soul. As an outsider, Alfonso labors to fit in and embrace his new life in a new world – Australia – only to find himself succumbing to dark undertows of insult, isolation, and estrangement. Though he strives to cope with these dangerous forces, the only language he knows with which to confront them is a pictorial one, the duende-infused images of his boyhood Galacian village: shadowy forests and dark pines, village girls with eyes the colour of chestnuts, mysterious croaking of black frogs, poison kisses of witches, crows whose mere presence means death. Though Alfonso’s newfound mastery of English lends him an instrument of accommodation and a facile veneer of acceptability, the deep grammar of his imaginal tongue threatens to undermine all the new values to which he aspires.


James N. Powell


Book Launch

February 8, 2014


Dear Friends,

David Malouf to launch Alfonso
Thursday, February 20 at 6:00pm

I look forward to seeing you there.
My best wishes,

Félix


Alfonso / Review / Armanno

December 31, 2014

Alfonso is a gentle yet searching exploration of a Spanish migrant's feelings and experiences in the country Australia used to be more than forty years ago. Felix Calvino infuses the stuff of everyday life with tenderness and magic. He recovers a lost time and sensibility. The past shimmers back to life.

- Venero Armanno


Le Simplegadi

December 4, 2014



by Eleonora  Goi 

This essay aims to analyze A Hatful of Cherries, a collection of short stories by the Spanish-Australian author Félix Calvino. By taking into consideration both his biographical experience and the main themes highlighted in his stories, travel, memory and migration above all, I will investigate how Calvino creatively tries to make two different world communicate, intersect and connect, thus establishing a dialogue between the Spain of his childhood and modern day Australia.